Mother Eel vs NICKELBACK.. and other news

Mother Eel’s vs NICKELBACK has been remastered and reissued for the third time. And this time it’s sounding better than

ever.

More INTENSE. More live.

(Now featuring additional layers from the original recording omitted in previous versions.)

 

If you thought you’d heard vs NICKELBACK before, you’ll have to think again!!

 

http://www.archive.org/details/vsNICKELBACK

 

Also, Mother Eel have a number of new projects in the works. Namely, a live EP recorded in 2011 at The Lewisham Hotel

(this will probably be a free online release, similar to vs NICKELBACK -  but with FAR superior sound, and could also be

available as a limited cd) – at this stage with 15 tracks and just short of 40 minutes total duration; we are still finishing off

Total Fucking Svalbard -  it could/should be released in 2012; and we’ll be working on a studio follow up to our live EP.. both

loathing filled.. which will serve as a recording experiment towards work on our full length album.

 

Perhaps a rough timeline is: Live EP, Total Fucking Svalbard, Studio EP, Studio Album.

 

With some live performances scattered in there somewhere. The live EP could see the dark of voids in early February.

11.11.11 – Machinoir & Lucas Darklord

11.11.11 by Macinoir & Lucas Darklord

11.11.11 carries an intensity unlike anything before. Machinoir unleashes disembodied voices that carry through Lucas Darklord’s post-apocalyptic landscape. Crushing noise counters complex atmospherics to deliver the most grim recording ever produced.
For this release each artist has produced a single track. The tracks work individually however they are intended to also be listened to simultaneously with 2 stereo systems (4 channels) to give you an entirely different experience.

This world’s last goodbye;

11.11.11

11.11.11 Part 1 – Machinoir

11.11.11 Part 2 – Lucas Darklord

11.11.11 Part 3 – Machinoir & Lucas Darklord

 

 

Machinoir & Lucas Darklord’s 11.11.11 is the 70th release on the futuristic virtual record label, Crypt Designers Guild. Perfect listening at high volume, in darkness or minimal light, with minimal external distraction.

 

The release also comes with two additional pieces of artwork.

                       

Black Math – Ritual the Fifth

Ritual the Fifth by Black Math

This Ritual was conducted for ‘the Best of Electrofringe’ at Campbelltown Arts Centre in July 2010.

Black Math – Ritual the Fourth

Ritual the Fourth by Black Math

Before this Ritual took place, new and terrifying upgrades were made, adding more gain and expressive control to the Black Math feedback network.

This Ritual was conducted at High Reflections #10 at Serial Space, Sydney in June 2010.

Black Math – Ritual the Third

Ritual the Third by Black Math

Black Math is a collection of devices for divining the musical potential of sacred and diabolical geometries. Black Math is an atheist and skeptic conducting ritual magic. Ritual the Third is a live recording of a pentagram inscribed in the topology of a feedback network of FM radio transmitters.

Due to a quirk of the handmade mixer used in the Ritual, a degree of processor noise from the recording device is present in this recording.

This Ritual was conducted at Sound Series #1 Ululate at Hardware Gallery, Enmore in March 2010.

Benson took the photo.

Wars on Paper – part 27

Placed in an Underground Bunker by Lucas Darklord

Wars on Paper – part 26

Toiling for the Better by Lucas Darklord

Black Math – Demiurge

Demiurge is Black Math’s creation mythology. These recordings recapitulate the original experiments which led to the creation of the Black Math feedback network.

Demiurge was recorded using a single FM transmitter feedback loop, while travelling pointlessly up and down a hillside. Each track uses a different amount of gain and off-tuning. The radio device used adds a small amount of delay to the feedback loop.

Black Math’s Demiurge is the forty third (43rd) release on the futuristic virtual record label, Crypt Designers Guild.

Black Math – Demiurge

I

II

III

IV

V

VI

VII